Discussion of the above book with the author, illustrator and Georgetown Law Professor Emerita, moderated by our own Deborah Taylor. Coolidge Auditorium, Thomas Jefferson Building, Mary 3, 2017 at 10:30 a.m. No RSVP needed unless you want to bring a group of children. Then please respond to: Monica Valentine, email@example.com, 202-707-1950.
It all starts with a lightly drawn circle, and then a dot that's too large, and that's how the picture that is found in the middle of this book begins. "Mistakes" advance the story, as they get incorporated into the images and the action. An empty world becomes very full and active by mid book and then reverberates back to the all important question, Do You See, Now, Who she could be? An original look at how art evolves, be it an illustration, or a story, or a song.....let your imagination soar and the "mistakes" begin. (Edie Ching) Up to 7.
With his lively art and careful prose, Reynolds creates a dreamer who is quiet, loud, colorful, unique. Not always happy or in step with expectations, his lively child always finds a way back, letting us know "I'm really good at being me". The main character is "unisex" and almost always in motion. While there is clearly a message her, it is an important one and you can't finish this book without feeling good about the character and hopefully yourself. Edie Ching (up to 7)
A young reader overcomes the disappointment she feels upon discovering a special book from her teacher is wordless when a “whisper” tells her to imagine the words. Beautiful mixed media artwork sparks the imagination and magic of story.
After Henry’s stuffed rabbit disappears, his grandfather suggests pretending it’s still there. Clothespin crocodiles, saltshaker snow, and sparkling gem collages contrast with outlined characters on butcher paper as Henry’s imagination learns to see.
In this wordless book, a child dives beneath a raucous crowd overfilling a pool to explore a silent underwater world filled with mesmerizing creatures that range from warmly whimsical to coolly creepy. Delightfully illustrated in graphite and pastels.
A new version of the Yiddish folk tale in exhilarating repetitive rhyme joyfully portrays the events in a life of a new immigrant to America. Lively, sharp illustrations enhance and extend the text for the careful reader.
Morales uses a range of artistic media—from puppets to collage to photographic and digital manipulations—to create this spare and dreamy emotional landscape that imagines artist Frida Kahlo’s interior life.
Wondrously strange digital and colored pencil scenes and short, descriptive phrases invite enjoyment in numeral hunting and counting: look, for instance, for the three musketeers who become six as their reflections appear in a lake. Quirky fun.
In a charming ode to creativity and communication, Tapir longs to fill the pages of his notebook with rich stories and songs, like those of his animal friends. After many failed efforts at writing, he finds an ideal way to express himself—not with words, but with pictures.